about me Creative Projects and Outcomes Teaching Contact me links and references
+ The Virtual Studio 1994-98
+ Real-time digital environment

Project presented at:
+ The National Gallery London UK 1996
+ The Architecture Foundation, London 1997
+ Institute of Contemporary Art, London UK 1997
+ Ars Electronica Festival, Linz, Austria 1997
+
ISEA in Chicago USA 1997

Featured in the book Envisioning Cyberspace
by Peter Anders (Mcgraw-Hill 1998)

shim
Work in Progress was designed as an evolving real-time immersive virtual environment. For four years it was a studio, experimental laboratory and gallery.

The project was made while I was the Research Assistant for the Virtual Reality as a Fine Art Medium Research Project at Chelsea, led by the Performance Artist, Dr Kevin Atherton.

A number of key developments were addressed in the making of the work:

+ The use of a personal visual language to visualise the space. using drawing as a way to describe the world challenged the notion of reality in Virtual Reality. We could move beyond the frame and be 'in the picture'.

+ Bringing my drawings to life allowed for the testing of the changed relationship between the Artist, the Audience and the Work. The space became a studio, a laboratory and a gallery for creative exploration, experimentation and presentation.

+ The work was shown at a number of national and international conferences and Exhibitions - it was demonstrated live and in real-time, a shared memory space building on developments outlined in Frances Yates' book The Art of Memory.

+ The virtual camera was used to offer a range of insights, perspectives and narrative positions in the work. The participant was at different points able to adopt the first person point of view of the protagonsit or a virtual pet (with built in artificial un-intelligence!) or an objective overview from above the gallery. It was possible to enter into the reflection in the mirror.

+ It was the intention to enable the participant to contribute to the construction of the space by picking up a virtual pencil and drawing a door or a window to extend the spatial narrative further.

ICA deep screen diving
+ ICA Deep Screen Diving Event.

ICA Parallel Space+ ICA Parallel Space Event
 

Work in Progress
+ Overview of the drawn space of the Studio/Gallery in Work In Progress

Work in Progress
+ Drawing Room: The images we see first are sketchbook images which inspired the work

Work in Progress
+ Drawing in Space, pick up a virtual pencil to add to the space and create new spatial narratives.

Work in Progress
+ On reflection. The reflection in a virtual world is made of the same material as the world it reflects.
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