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+ PERPETUAL MOTION 1998
Real-Time Virtual Environment
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This work uses Virtual Reality technology to situate the viewer inside the painting. When we see a painting of a space we can imagine how it might be to experience and inhabit that space. With VR technology it is possible to construct and enter the space depicted in the image.

éMagrittes' Le Mouvement Perpetuel (Perpetual motion) from 1935. The painting depicts an area of water which reflects the environmen and as such it is one of a number of experiments in simulating reflection in virtual space. To create the reflection in the digital environment, the space is duplicated, reversed and turned upside down - in effect the reflection is as real as the rest of the space.

I have a research interest in the spaces and architectures represented in media, in particular film, painting and drawing. It is not necessary to be present in or touch a particular space in order for us to consider it real, it is in its digital state still a 'lived space'.

The space depicted in mediais an area of spatial practice of interest to a number of theorists and practitioners, for example, Juhani Pallasmaa in his book The Architecture of Image: Existential Space in Cinema (Rakennustieto 1999).

perpetual



+ The world and its reflection: the digital environment depicted in Magritte's Le Mouvement Perpetuel from 1935

motionshimmotion
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+ Above Left: An image of Rene Magrittes', Le Mouvement Perpetuel from 1935
+ Above Right: Characters are hard to do convincingly in VR, so the leopard print mankini man had to go.
+ Lower Left: with the virtual environment it is possible to go into the water and enter the reflection.
+ Lower Right: In the virtual environment we can see from all sides.
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