Teaching and Research

Pete a Senior Lecturer at Camberwell College of Arts, part of the University of the Arts London (ual). I teach on the MA Interior and Spatial Design course. The course has an excellent international reputation. His specialisation is exploring worldbuilding in design through emerging digital spatial practices and methods.

Academic Career Highlights and Contributions

Discover the academic’s journey through architecture, interior, and spatial design, focusing on innovative digital spatial practices like Lidar scanning, VR, AR, and XR.

Participation in the first conference at Tate Britain concerned with Virtual Reality and the Gallery in 1995, with Margaret Morse, Ray Ascott and Matt Mullican.
Kubrick’s Colour space is the first design research project to utilise the prestigious Stanley Kubrick Archive at the London College of Communication in2006.
Awarded one of two funded Teaching and Professional fellowships in 2010 to research Communities of e-learning Practice.
Organisation of four Virtualities seminars at Tate Modern as part of the Digital Maker Collective bringing together top industry and experts from the field in 2017
The Ideal Home Exhibition for Lockdown living: new project in collaboration with Collectarium in 2025

Innovations in Architecture and Digital Spatial Design

This overview details how Maloney has integrated advanced technologies such as Lidar scanning and immersive reality into projects to push the boundaries of spatial design and research over a number of years.

Pioneering Digital Techniques in Spatial Design

Explore how leading edge digital tools and methodologies are applied to enhance architectural and interior design concepts through immersive spatial experiences at internationally renowned venues like Tate Britain, Tate Modern, ICA and Courtauld Insititute.

Academic Insights and Contributions

Explore the academic’s impactful journey through architecture, interior, and spatial design, highlighting innovative efforts in Lidar scanning and immersive digital technologies.

“Some of this year’s exhibits are culturally familiar. Collectarium’s Hopscotch – easily the most lo-fi exhibit – has been taped on to the floor of a corridor, a reference to how, during lockdown, our homes became the stage on which a transition between two social phases played out.”